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added participants lookingglass

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Clément Charollais 2020-08-24 19:33:22 +02:00
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_data/rf2020/events.yml
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The interviews that are at the core of the process, held over the course of March and April, and the resulting artistic responses, bear witness to the reality each day has brought with it since the onset of the global pandemic. They mark out space for pain, but also for joy, for longing, and The interviews that are at the core of the process, held over the course of March and April, and the resulting artistic responses, bear witness to the reality each day has brought with it since the onset of the global pandemic. They mark out space for pain, but also for joy, for longing, and
Yes Yes
For hope as well. For hope as well.
participants: [23] participants: [23, 30, 31]
- id : 24 - id : 24
title_ : Identifying digital coercion - the means of re-decentralization title_ : Identifying digital coercion - the means of re-decentralization

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_data/rf2020/participants.yml
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links : ['https://instagram.com/artist_millennial666'] links : ['https://instagram.com/artist_millennial666']
bio: | bio: |
Azadbek Bekchanov born 1996 in Tashkent, nowadays based in Lausanne is a visual artist, studying in the [inter]action option of the Fine Arts Bachelor department of HEAD-Genève. He is guided by questions surrounding queer identities and their overlapping with migration. As a "millennial-artist", he explores social media platforms such as Tumblr, as localities allowing for free, subversive expression. He seeks to transfigure the banality of daily posts, unveiling intersectional oppressions. In parallel to his artistic practice, Azadbek also has a curatorial approach linked to domestic spaces. Azadbek Bekchanov born 1996 in Tashkent, nowadays based in Lausanne is a visual artist, studying in the [inter]action option of the Fine Arts Bachelor department of HEAD-Genève. He is guided by questions surrounding queer identities and their overlapping with migration. As a "millennial-artist", he explores social media platforms such as Tumblr, as localities allowing for free, subversive expression. He seeks to transfigure the banality of daily posts, unveiling intersectional oppressions. In parallel to his artistic practice, Azadbek also has a curatorial approach linked to domestic spaces.
events: [12] events: [12]
- id : 30
fullname : Adrian D. Cameron
ref: adrian-d-cameron
bio: |
Adrian D. Cameron is a Brooklyn-based theater/performance/media artist and a recent graduate of Brooklyn College’s Performance & Interactive Media Arts MFA program. He began his career as a freelance director in New York City before relocating to Seattle in 2006 where, as the Founder/Bureau Chief of Irrational Robot Bureau, he presented numerous original experimental theater productions. His most recent work explores the intersection of live performance and technology.
- id : 31
fullname : Michael Redman
ref: michael-redman
bio: |
Michael Redman is a media designer and technologist focused on collaborating to tell stories that are not fairly represented. Recent credits include – Off-Broadway: My Life On A Diet (Theatre at St. Clements). New York: Hairspray (Argyle Theatre), Seph (Araca Project), Bamboo in Bushwick (Working Theatre), Neighborhood 3: Requisition of Doom (Brooklyn College at Rattlestick Playwrights Theatre). Washington DC: Long Way Down (The John F. Kennedy Center for the Performing Arts), Dontrell Who Kissed the Sea (Theatre Alliance, Helen Hayes nomination). Michael currently serves as the Assistant Technical Director at Brooklyn College.