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Merge branch 'feature/site1.2-program-plugin-autogeneration' of https://git.reclaimfutures.org/ReclaimFutures/rf-web into feature/site1.2-program-plugin-autogeneration

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Benjamin Jones 2020-08-21 20:29:11 +02:00
commit f1e36cc407
2 changed files with 13 additions and 4 deletions
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_data/rf2020/events.yml
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[3]Richard Mèmeteau: Sex friends - Comment (bien) rater sa vie amoureuse à l’ère numérique
[4]Ashkan Sepahvand - Everything I learned about technocapitalism, I learned at Bergain</small>
participants: [12]
participants: [12, 28]
- id : 13
title_ : BYMG - "Intoxicated Interface Infusion- Fermentation Tactics"

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_data/rf2020/participants.yml
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pronouns : he/she/they
links : ['https://instagram.com/antantantw']
bio: |
Azadbek Bekchanov and Antoine Simeão Schalk are two fine arts students at HEAD-Genève (BA and MA). They met in coincidental occasions at les urbaines festival and have been collaborating since, sharing interests for decolonial ecologies, race and gender issues, queer studies, political theory as well as resistance methods to techno-capitalism. Their practices mix research with video elements, prints, occupation of urban spaces. They strive to highlight the complexity behind migration phenomenon, especially how identity is recomposed through diaspora affiliation.
Wet and sticky, antoine simeão schalk is a fluid creature interested in questions regarding queer and non-white bodies. active in the fields of post-colonialism, gender and queer studies, politics of representation, she used to read bourdieu as she reads dustan today. their recognition of privileges is fundamental and regards it as a prerequisite for any research. with a sun sign in cancer, he aims at blurring, breaking, burning the frontiers between activism, research and homage. co-curating artist-run-space one gee in fog in chêne-bourg, their work has been published in rosa mercedes, the magazine of the harun farocki institute and are currently collaborating on a publication with edition assemblage.
- id : 13
@ -293,5 +292,15 @@
links : ['https://cargocollective.com/materiainestable/NOD-Neural-Optimal-Decisor']
bio: |
Materia Inestable (Unstable Matter in english) is a Colombian Art Collective Studio formed two years ago by three transdisciplinary professionals who experiences Arts from different perspectives. Our academical background merged Arts, Design and Physics on experiences where the technology becomes a new media able to push boundaries of our disciplines on different scenarios. Although our collective group stayed together one year for research purposes, it is officially our first work as a collective.
The members of the group met in an educational project focused on promoting the critical and empathetic use of technology, for example in the use of so-called tangible programming to improve life in new ways, up to the idea of possible worlds in augmented and virtual reality. All this in the context of official schools and universities in Bogotá. Thus, in the continuous search to innovate in didactics, methodologies and strategies to promote the curiosity and creativity of our students, it was inevitable to find fundamental questions about the technique.
The members of the group met in an educational project focused on promoting the critical and empathetic use of technology, for example in the use of so-called tangible programming to improve life in new ways, up to the idea of possible worlds in augmented and virtual reality. All this in the context of official schools and universities in Bogotá. Thus, in the continuous search to innovate in didactics, methodologies and strategies to promote the curiosity and creativity of our students, it was inevitable to find fundamental questions about the technique.
events: [27]
- id : 29
fullname : Azadbek Bekchanov
ref: azadbek-bekchanov
pic: nan
pronouns : he/him
links : ['https://instagram.com/artist_millennial666']
bio: |
Azadbek Bekchanov born 1996 in Tashkent, nowadays based in Lausanne is a visual artist, studying in the [inter]action option of the Fine Arts Bachelor department of HEAD-Genève. He is guided by questions surrounding queer identities and their overlapping with migration. As a "millennial-artist", he explores social media platforms such as Tumblr, as localities allowing for free, subversive expression. He seeks to transfigure the banality of daily posts, unveiling intersectional oppressions. In parallel to his artistic practice, Azadbek also has a curatorial approach linked to domestic spaces.
events: [12]